- Hallowed WTC Steel Relics Arrive in Huntington IMAGES
- Rooster's Hosts Princess Night with Mickey and Minnie Mouse IMAGES
- Cars, Dogs, Rides and Eats Celebrated
- Record Numbers of Female Vets Strain System
- Nostalgic Images of Ten Forgotten Huntington Venues
- Plan to Reduce Opioid Painkiller Use Gains National & State Support
- Cabell County man sentenced to over four years in federal prison for possessing child pornography
- COLUMN: Hobet Project Holds Vast Promise for West Virginians
- Elsa & Anna Take in Last Day of Wayne County Fair at Camden Park with IMAGES
- Charleston man sentenced to federal prison for heroin crime
Short History of Trifecta Productions: "Favorite Feud" and 40's Fourth Avenue Christmas
During a recent interview with Murphy, he praised the work of director Mark Cowen. In the early 1980's, Cowen he helped to define the marketing genre of behind-the-scenes "making of" documentaries and Electronic Press Kits, which are still widely used in motion picture publicity campaigns. Film titles Cowen worked to shape campaigns for were "Who Framed Roger Rabbit," the "Back to the Future" trilogy, "Patriot Games", and "Empire of The Sun".
His most recent works were "Band of Brothers: We Stand Alone Together" and "Magnificent Desolation: Walking on the Moon 3-D."
In a June 2012 interview , Cowen told the Herald Dispatch, "it was my job to try and fill in the spots where there may still be questions and maybe fill it out more for people who watched the miniseries."
However, as Murphy explained to HNN, there were few old photos, maps and other artifacts remaining. Producer Darrell Fetty had convinced History to balance the dramatic production alongside a documentary by talking to scholars concerning the feud and , in turn, how it created and still impacted Appalachia.
"I was given the task from a documentary standpoint of trying to come up with the story that at least gives balance to both the Hatfields and the McCoys by talking to the scholars with different opinions," Cowen told the Herald Dispatch. "Darrell set out with this to say there is two stories to this and if we don't tell two stories we've failed. So we tried to reach out to as many scholars and descendants and authors as we could."
Scrapping from a tiny budget, Murphy assembled re-enactors, horse and weapons experts, and wardrobes ranging from those of pioneer era seamstresses, such as Jo Patterson, who made dresses for the two day shoot, to wardrobe contributions from the Marshall University Theatre Department and Western Virginia Military Academy .
Cowen, who died in September 2012, recalled in the HD interview that the production company blew him away with its expertise in assembling Hollywood level resources quickly and economically.
"As a director you ask for something and hope that gets done but this, this is just classic Joe Murphy," Cowen said. "He has the No. 1 thing you asked for then has two or three just in case you need it. That was at every turn. I needed five extras he said 'here's 10 that you can pick from.' I asked for one horse we get eight. That was unexpected."
Trifecta Productions recently assembled a period late 1940's shoot on Huntington's Fourth Avenue for the Convention and Visitor's Bureau.