- Saturday Tsubasacon Cosplay Contest and Skits
- OPINION: Adjust Sewer Rate Increase; Fund Police, Fire like Sewers
- A Super Cosplaying Saturday Afternoon at Tsubasacon
- REVIEW: "Darker" More Gray as it Delves into Origins of the "Red Room"
- DYSFUNCTION DISORDER: Snapshots Taken as Gospel
- Final Approval for Radical Radiation Rise in Water Supplies after Nuclear Release
- COLUMN: Turning a Long Triage Wait into a Concert Ticket Camp In ... Well Sorta
- Elsa from Frozen Made a Cameo Appearance Leading Huntington Parade, Visits Eastgate Mall Saturday in Cincy IMAGES
- W.Va. AG Applauds Scott Pruitt’s Confirmation As EPA Administrator
- In Connecticut, Calling for Help Carries Risks for Victims of Domestic Violence
Maelzel Woodwind Quintet to present "Music from the Age of Invention"
The five chose to call themselves the Maelzel Woodwind Quintet, as their "Age of Invention" program nods to the early 19th century - a time when inventions such as Maelzel's time-keeping contraption and musical and technical innovations marked the artistic landscape in Europe.
"Though woodwind quintet music has been well represented at Marshall, this particular program will be different since all involved will not perform on modern instruments, but on historical reproductions of instruments that existed in the late 18th and early 19th centuries," Dobbs said. "The instruments vary considerably from their modern counterparts. They naturally sound differently and they require a whole new technique when playing."
This repertoire of music for five wind instruments began life in late 18th and early 19th century Paris, when numerous multi-movement works featuring the five winds of the classical era orchestra - flute, oboe, clarinet, bassoon and horn - were composed by Anton Reicha, Franz Danzi and others. Though the horn is not a woodwind instrument, the convenient name woodwind quintet has described the combination for many generations.
"Music from the Age of Invention" will feature works by Reicha and Danzi, as well as by Peter M�ller.
"One might ask: Why go to the trouble to learn a new technique and perform on instruments that are often more difficult technically than the modern counterparts?" Dobbs said. "Exploring this music on the original instruments provides musicians the opportunity to fully understand the intrinsic problems of blend, balance and intonation, and most importantly, the interpretation, oftentimes inspired by these instruments.
"In essence, we hear the same sounds as the composers and musicians from the era and this informs our decisions on numerous aspects of the music and indeed permits us and our audience to understand the music in ways that may be obscured by the louder, more homogenized sounds of modern instruments."
Spece has taught at the University of Maryland, Baltimore Campus, and performs regularly with a host of groups including Philharmonia Baroque Orchestra, Portland Baroque Orchestra, Ama Deus Ensemble, California Bach Society, Magnificat, Classical Consort, Concert Spirituel, and Opera Lafayette. He is also a founding member of Circa 1800 Chamber Winds. His newest adventure in his new home in Richmond, Virginia, is to establish a period instrument orchestra that will be called the Mannheim Rocket. Spece's appearance is sponsored by a contribution from Dr. Alan Gould, director of the John Deaver Drinko Academy at Marshall.
The Sept. 11 program is free and open to the public. Call 304-696-3117 for more information.
The program will be repeated at 2 p.m. Sunday, Sept. 14, as part of the Ariel Chamber Theatre Series at the Historic Ariel-Dater Hall in Gallipolis, Ohio. Admission for the repeat performance is $5; call 740-446-ARTS for more information on that performance.