Sept. 28, 2006
BOOK REVIEW: Concept of ‘Doing Nothing’ Seems to be Anachronistic in
Today’s Workaholic World, But Author Tom Lutz Says It’s the Other Side of
Work Ethic Coin
By David Kinchen
Huntington News Network Book Critic
Hinton, WV (HNN) – Any author who includes references to the Statler
Brothers (“Flowers on the Wall”) and Max Weber (“The Protestant Ethic and
the Spirit of Capitalism”) in his book is on track to create something worth
reading. That’s the case with Tom Lutz and his latest book “Doing Nothing: A
History of Loafers, Loungers, Slackers, and Bums in America” (Farrar, Straus
and Giroux, 363 pages, bibliography, index, $25).
Popular music and sociological treatises like Weber’s are just a few of the
references offered up by Lutz, a Southern California English professor and
self-confessed former slacker, loafer and commune dweller. He’s also the
father of 18-year-old Cody Lutz, whose proclivities for loafing alarmed a
man who spent a decade -- before attending college -- wandering hither and
yon.
I have to accuse Lutz of what we in the journalism business call “burying
the lede” – if the “lede” or thesis of the story is that societies that are
among the most workaholic – Lutz cites Japan and the U.S. – also produce a
rich culture of slackers and loafers. A brief detour from the American
aspect of slacking and loafing takes place when Lutz visits (Page 310 ff)
Tokyo’s Golden Gai slacker central. Yin and yang, work ethic and slacker
ethic. Can’t have one without the other, it appears.
By the way, Lutz points out that the word “workaholic” was coined by Wayne
E. Oates in 1968, but became widespread upon the 1971 publication of the
South Carolinian’s best-selling “Confessions of a Workaholic.” Born into a
poor family in 1917, Oates wrote 47 books, earned a master’s and a Ph.D. and
worked full-time as a pastor and later as a college professor. He died in
1999.
The way Oates describes this condition – which I thought afflicts me and
many other journalists, writers and editors – sounds like a form of
addiction. Workaholics (Page 275) are people who cannot stop working, who
need larger and larger doses to get by (Lutz paraphrasing here) and (leading
into an Oates quote) have “forced themselves into exhaustion, depression,
cardiovascular disorders, excessive eating in order to maintain energy, and
all manners of imbalances of the human life.”
Wow! Come to think of it, if that describes workaholism, I guess I’m not a
true workaholic. I suffer from none of the conditions described, with the
possible exception of exhaustion after a day of physical labor. Maybe it’s
just that I enjoy my work so much I just want to do it. I “prefer to do it,”
in contrast to Herman Melville’s famous “Bartleby the Scrivener” whose
mantra is “I prefer not to” when asked to do a particular job in the office
where he ostensibly works.
Lutz’s book is crammed to the rafters with references to literary figures –
including Bartleby – from Tom Sawyer, a classic slacker who manages to get
others to do his work, to Rip Van Winkle, taking that famous nap and waking
up decades later. He also cites many sociological and historical works, all
listed in the comprehensive bibliography.
Karl Marx and his father Hirschel Marx share book space with Groucho, Harpo
and the rest of the Marx Brothers, making “Doing Nothing” a fascinating book
indeed. I enjoy juxtapositions of this sort.
Lutz notes that famous loafers and slackers of the past and present were and
are really industrious folks, closet workaholics, if you will. Beat icon
Jack Kerouac worked in a variety of jobs while creating his novels; he even
enlisted in three branches of the armed services in the space of a few days!
Film director Richard Linklater (born in Texas in 1960) is the man whose
1991 movie “Slacker” gave a name to a concept that has been around seemingly
forever. I watched Linklater’s 1993 flick “Dazed and Confused” the other
night and noted that the Matthew McConaughey character – slightly older than
most of the high school students portrayed in the movie – is a classic
slacker. “Dazed and Confused” can be compared to “American Graffiti” or
“Fast Times at Ridgemont High” or “Ferris Bueller’s Day Off.” McConaughey
also plays a slacker in Tom Dey’s “Failure to Launch” that came out earlier
this year. His character in the upcoming “We Are Marshall” movie is anything
but a slacker.
Linklater is no slacker, Lutz points out: He’s directing and writing
constantly. I checked this out with the movie data base site and found this
to be true with 17 films written and/or directed by the Houston native since
the mid-1980s, including “The School of Rock,” “The Newton Boys,” and, most
recently “A Scanner Darkly,” based on the Philip K. Dick story.
Last year I obtained a copy of Weber’s “Protestant Ethic” book and actually
read it, in the English translation. It was published in 1905 and last year
was the centennial of the classic sociology work, which helped create the
field of sociology itself. Essentially, the German academic argues that the
settlement of America by Calvinist workaholics created the work ethic that
is the hallmark of America. It drove the nation to succeed and also worked a
lot of people too hard for their own taste. This is a vast simplification of
Weber; get the book and read it for yourself – unless, of course, you
“prefer not to!”
Lutz says our current president is a classic slacker, the kind of Chief
Executive who interprets 24/7 as 24 hours a week, 7 months a year as his
working schedule. George W. Bush probably was taken to the woodshed
(figuratively, I hope) by his workaholic dad, former President George H.W.
Bush, Lutz posits.
What about Cody Lutz, introduced in the beginning of the book, where we see
him lounging on the sofa of his dad’s place, watching TV? According to his
dad, Cody’s working 14 hours a day in the workaholic environment of
Hollywood, in a city that has an undeserved reputation for being “laid
back.” I lived there for 16 years and most Angelenos are anything but laid
back; they have to work two or three jobs just to afford living in one of
the most expensive cities in the world.
Publisher’s web site: www.fsgbooks.com








