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June 25, 2005
RUTHERFORD ON THEATRE: MU's Durang Fest Features Springer-Like Families,
Acting Accolades by Frye, McCoy
by Tony Rutherford
Huntington News Network Columnist
Huntington (HNN) -- Since MU Theatre has decided to bring us a
"Festival of Christopher Durang," I must initially say be warned ---
anything goes! I mean the playwright has no sacred cows spared, whether
lampooning Tennessee Williams or dissecting horrid dysfunctional families
who qualify for their own wings at an asylum.
Dividing the four one-act productions into two acts, the first act could be
labeled take-offs on Tennessee Williams "The Glass Menagerie" and "Streetcar
Named Desire."
The second act goes beyond theatrical humor, instead, emphasizing incisive
satire on traditionally immune societal sacred cows. And one of those pardon
the pun sacred objects is The Bible.
First things first, however. both Tennessee Williams vehicles, particularly
"Desire, Desire, Desire" contemplate the 'future' of his various characters.
Laura Frye's animated screams of 'desire' and tossing herself at a census
worker qualify her for accolades.
Frye quickly establishes an impeccable stage presence as she robustly and
semi-sensuously turns an affection starved, aging southern belle, Blanche
(think "Streetcar Named Desire") into an animated, exasperated icon of
repressed Southern sexuality. She'll trade her titillating flowery dress and
high heel strappy sandals for the persona of a brash, 'butch' ball cap and
clod-hopper clad loud mouthed lesbian who's tapped as a 'feminine caller'
for the son of the glass obsessed Amanda from "The Glass Menagerie."
Lawrence (Brandon McCoy) has a medically-challenged son who collects swizzle
sticks.
After intermission, Frye, who begins MFA studies at Ohio University this
fall, impresses as a subdued, yet frazzled neurotic stuck in a family of
psychotics suffering from multiple personality disorders and treated by a
shrink who hops like a chimpanzee and undergoes a fast-track sexual
reassignment surgery and has to borrow some super glue during her session.
Brandon McCoy shares acting honors with Frye as he assumes multitudes of
personas and faces. He's heading into Jim Carey territory here! Believe me!
How the actor keeps the characters straight impresses me, particularly
swinging instantaneously from a suave Frenchman, a twenty something son, the
father of the son, and a halting, slightly hunch backed granddad.
While he's leading the swarming cuckoos of 'dentity Crisis,' he earlier
hobbled, scratched and wheezed as the aforementioned Lawrence. He also plays
a straighter role in the "Desire" play as a geeky, straight-faced census
taker enduring Frye's ever intensifying attempts at seduction.
McCoy adds more roles to this presentation as the guitarist on musical
interludes. You will find his ode to a senior citizen a hoot!
Shifting from Durang's vast theatrical humorous spoofs (he even has cracks
about the "Cat on a Hot Ten Roof" and "Harvey" makes a cameo appearance),
the irreverent, yet incisive and (after the fact) philosophical, "Book of
Leviticus Show" shoots a few darts at those who attempt to interpret each
and every passage of The Bible literally.
I refuse to be offended due to the obvious intention to portray the overly
fervent and obsessed 'believer,' rather than twist scripture. In fact,
without giving away the spoiler, I found that a sequel with the Ten
Commandments would invoke a curious checkmate for those refusing to deviate
one comma or one house of Israel from the Holy Book.
And, Frye and McCoy have a strong supporting cast too --- Katherine Mohn,
Linda Reynolds, Jennifer Scott, Glenn Spencer, and David Warwick.
Finally, a warning: This collection of plays has situations and language
that would turn a prude beet red. Those who can handle Jerry Springer
familial dysfunction with bumbling slapstick and vast satire should ran to
the Experimental Theatre in the Joan C. Edwards Performing Arts Center June
29-July 2, 2005 (8 p.m. curtain). You can also catch it Saturday June 25,
2005 at 8 p.m.













